Treatment sketch

Directorial Approach

Tackling the issue of harassment is never easy, as the people who you are trying reach with your message to are the ones are most likely to dismiss it. This is an even greater problem when dealing with a community that has a reputation of being pretty cynical.

This is why my directorial vision is to frame the message in our documentary, and the education that we intend to pass on, in a palatable way. Because we are presenting an argument (more accuracy a counter argument), the type of documentary we’re making is Expository.

To get a better idea of this I watched a number of video blogs on people discussing similar issues ( Anita Sarkeesian, and Jimquisition from The Escapist in particular), as well as other Expository documentaries.

The need for humour, in some form, became apparent pretty quickly. Having written on the topic before, the rest of my group agreed that the tone of sarcasm and cynical humour was actually very effective because it enables us to talk about the issues without lecturing, or sounding like we are over reacting, something that’s often used to dismiss this issue when it’s raised.

By knowing what arguments people use against women who complain about harassment from other gamers, I feel that with our documentary we will be able to point out the issues with these arguments in a way that is easier to digest by the peoples who attitudes need to change.

Sound Design

Innovative sound design is critical to Just a Game’s entertainment value and success. It holds a key ability to engage the audience enough to listen to our argument and remain interested throughout the film without being overwhelmed or too critical. Running in conjunction with visual style and narrative, it will provide much assistance to our sarcasm and cynical humour approach.

It’s important to note that the specifics on sound design remain flexible however the main foundations are currently in place. A cinematic orchestral style will be used for our peak moments. There are a few tracks I’ve chosen that have a naive, childish style which can be used for example once we’ve interviewed people that have a bias against our argument.

I’ve located royal free reproductions of classic gamer soundtracks and effects, and am also hoping to remix one of these classic songs myself using Abelton Live software.

Sound levels presumptuously will be quite sporadic during the film, but will remain constant. Because of the assumed levels of constant sound, I hope to use dramatic moments of silence to reinforce key issues in our debate.

Overall our stylistic approach of fast paced information will rely heavily on an adventurous, dramatic, playful and condescending tone.
Approach to Visual Style 

Our approach to ‘Just a game’ is quite unique in that we will be using the argumentative techniques of satire and cynicism against the male gamers who harass females online. My goal is to compliment this approach with visual elements. We will be implementing a range of segments, including re-enactments, vox-pops, interviews, and perhaps even some in game footage.

Though we are dealing with a very serious issue, we still wish to be somewhat creative with our use of technical elements. We want to emulate the atmospheres known to video gamers through our artistic style. There are two avenues we can take in this approach, in what I will call the violent video games route, or the family video games route. In the interest of satire, it may be effective to implement the latter approach. By family video games, I mean games (such as Zelda) that are characterized visually by colourful and bright environments. Replicating such colour schemes in our documentary will hopefully highlight the dichotomy between the inviting natures of games with the (sometimes) offensive communities whom play them. It should be noted that the colours are not washed-out, just very true. Which brings me to my next point concerning what camera we will be using to film. Personally, if we wish to continue down this route, it will be favorable to use a DSLR (especially canon) which are known for capturing the vibrancy of colours unlike the university camera can.

Movement is another avenue we can exploit video game style. Ideally, I want to use a steadicam following the subjects and keeping them in the centre of the frame. This can be carried over into the interviews also, keeping the subjects in the centre of the frame in a seated interview, or even conduct interviews doing something active (like walking, whilst playing the games, etc).
– sound design

Producers Statement 

‘Just a Game’ is not a traditionally made film, nor will it be a traditionally viewed film. For what happens behind the scenes often seems to be reproduced on it. Therefore, the conventional role of a producer, as to what we have learnt here at RMIT, may be irrelevant at times to the process of this production. Currently, the way we are going to make the documentary will be a collage of ideas and devices, so thus is my work. Still, I already have many ideas on what my role here is and the best ways to help support my group and the project.

Considering that Ruby Mountford ignited the drive and vision of ‘Just a Game,’ I feel my purpose is to be her left hand woman. Ruby personally asked me to work as her manager and to help her keep the film process organised. As well as orchestrating the crew when needed, I imagine this will include helping Ruby at moments of high stress in whatever way possible, so that she can stay focussed as the creative thinker.

Already this has included making timelines for group work, keeping the dialogue flowing about meetings, submissions and the project in whole, as well as checking how the rest of the group is going. To be honest though, the level of self-awareness and organisation of all individual members means there is little work for me in these areas.

Another, more practical, task for me is contacting people whose music, youtube video and other copy write material we want to use. This includes making sure that the video content creators who Ruby is sourcing send her a message via her Tumbler saying it is fine for us to represent them and to use the footage they have filmed and submitted. I have also already started a list of works I would like the rights to use and have began on the voyage of agreement with the owners.

As we collect our material, I will keep track of all footage and information. For example, I will back up all work and material on my hard drive weekly, or whenever it seems pertinent.

All the above may appear ambiguous, but that is only because so is the work. All in all, my main role will be to remain alert and plugged in to ‘Just a Game’ in whatever way it may need an administrator.

Audience Statement 

One of our main aims of Just A Game is to make it accessible for everyone and not alienate viewers with our subject matter. When you’re trying to highlight an issue that portrays a gender in a negative light, it’s difficult to connect with that group. We want to emphasise to our audience that misogyny within the gaming culture is not a reflection of a gender as a whole, but a minority within that gender who do not represent every gamer. However, the size of the group should not detract from the severity of the issue, rather it is the loudness of the group which makes this issue so important.

So how do you go about trying to appeal to both genders and communicate our message without trying to turn it into a male vs female argument? We came to the conclusion that satire is the way to do this.

“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own.” – Jonathan Swift.

We believe that nowadays one of the easiest ways to force people to acknowledge that something is “wrong” is to poke fun at it. We laugh with the satirist forerunners such as The Chasers or Jon Stewart because they joke about important social, economic or moral issues in a confronting way, which forces us to reflect internally on what they’re really trying to point out. Although we’re not trying to be as abrasive as them, we like the way they can coerce their audiences into reflecting on their own lives and wider society. Many seem to respond well to satire because not only is it humorous  when it’s pulled off well, but also a wonderful tool of communication.

Furthermore, we believe that almost anyone will be interested in our documentary, judging by the reaction and feedback we’ve been receiving from our peers. Sexism and misogyny is an issue that affects both genders, across all demographics and experienced by the young and old.

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About ronjamoss

Ronja Moss is a twinkly-eyed singer songwriter who delights in telling tales with her piano and rolling melodies. The 24 year old recorded in New York City in 2010 at the Rolla Polla Studio with Andy Baldwin (The Cat Empire, Bjork, Spiderbait), but has only been performing to audiences for a year. Recently relocated to the bright lights of Melbourne city, Ronja grew up in the central desert of Alice Springs. Ronja’s songs paint pictures; either witnessed, or imagined, endeavouring to take the listener into the lives of her characters and thoughts.

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